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Mark My Words: Amos Kennedy Jr’s poignant typographic call to action for social and environmental justice on display ¶

3 years ago / scanner

Inspiration overload with Anthony Burrill’s bold archive of graphic ephemera ¶

3 years ago / inspiration

Zolo Studio & Base Design X The Biennale of Sydney: liquid bespoke type for a fluid visual identity that speaks volumes ¶

3 years ago / inspiration

Breaking barriers for a brave new world: Ksenya Samarskaya on Inscript Experimental Type Festival ¶

3 years ago / scanner

Brik Font: Craig Ward’s inventive typographic endeavor with LEGOs is this year’s 2023 Communication Arts Typography Annual winner ¶

3 years ago / scanner

In search of politics in design: Graphicus explores a long-forgotten creative duty ¶

3 years ago / inspiration

Sometimes Always X KW Institute for Contemporary Art: from digital to analog, Open Secret’s visual identity is inspired by Apple’s seminal campaigns ¶

3 years ago / inspiration

Can a font, in itself, truly be racist? CNN & more report on “chop suey” fonts ¶

3 years ago / Origins

Parachute X Baba au Rum: typography is the go-to spirit in the Bauhaus-infused awarded catalog for one of our World’s 50 Best Bars 2022 ¶

3 years ago / scanner

How calligraphy shaped Steve Jobs and Apple’s typographic legacy ¶

3 years ago / Origins

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