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25/05/2018
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For Tadas Karpavicius everything is type and (operatic) art

25/05/2018 Scanner

For Tadas Karpavicius everything is type and (operatic) art

25/05/2018
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Documenta14’s no-rules visual identity is an experiment for four

25/05/2018 Scanner

Documenta14’s no-rules visual identity is an experiment for four

25/05/2018
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Studio Zwupp's animated type for Forward Festival collide past with future

25/05/2018 Scanner

Studio Zwupp's animated type for Forward Festival collide past with future

25/05/2018
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Università degli Studi della Campania Luigi Vanvitelli: the rebranding

25/05/2018 Scanner

Università degli Studi della Campania Luigi Vanvitelli: the rebranding

25/05/2018
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!Konferansen's visual identity by Larssen & Amaral

25/05/2018 Scanner

!Konferansen's visual identity by Larssen & Amaral

25/05/2018
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In the loop with TEMPLO's typographic #KeepCreating campaign

25/05/2018 Scanner

In the loop with TEMPLO's typographic #KeepCreating campaign

25/05/2018
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A badminton match with Tor Weibull’s Bad Mono typeface

25/05/2018 Scanner

A badminton match with Tor Weibull’s Bad Mono typeface

25/05/2018
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Parámetro's branding for Black & Bone is all about repetitive type

25/05/2018 Scanner

Parámetro's branding for Black & Bone is all about repetitive type

25/05/2018
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Buenaventura's versatile and agile visual system unfolds in layers

25/05/2018 Scanner

Buenaventura's versatile and agile visual system unfolds in layers

25/05/2018
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Back up Euclid's elements in all their visually conceptual glory

25/05/2018 Scanner

Back up Euclid's elements in all their visually conceptual glory