Swedish conceptualist artist David Stenbeck aka Dovneon on Instagram has been featured in many visual feeds and URLs which crave for pure pop sensation. Filled with poetic takes in neon format Stenbeck practices his art in the digital 3D realm. A lover of pink -"the strongest abstract and emotional hue for bridging interhuman communication, and the agent of so many sentimental values" he told RedMilk- Dovneon expands his artistic flavor through type and more, nurturing Instagram with visual poetry against the tides of ugliness.
A neon in the sky never harmed a soul so explore his pink as a rose, adventures in here.
Choosing a winner among 1,252 entries from 62 countries in Print&Publishing only is no easy task, yet, Cannes Lions 2019 announced 32 awards. One Grand Prix, six Gold, seven Silver and 18 BronzeLions were awarded in this year's Cannes Lions event with the blank edition of Lebanese newspaper An-Nahar earning the Grand Prix in Print and Publishing at the Cannes Lions Festival of Creativity Monday night.
The award was given to Impact BBDO Dubai, which redesigned An-Nahar, a newspaper in Lebanon, to feature a blank front page as a protest for the political situation in the country. The blank space represented “civic conversation grinding to a halt after elected officials failed to form a government for months on end” notes AdAge.
“It was a perfect demonstration that print creativity can do a lot,” said Olivier Altmann, jury president and co-founder of agency Altmann + Pacreau. The bold printed protest aptly named “The Blank Edition,” was covered in more than 100 publications internationally including The New York Times, The Washington Post and the BBC.
The campaign achieved 5 million dollars worth of earned media. Following this unique edition Nayla Tueni, the newspaper's editor in chief, held a press conference explaining the blank front page and encouraging the Lebanese citizens to use the space for their own headlines, sending a message to the government through the social media. The core idea behind the campaign was the following: if politicians aren't working, why should anyone else?
“For us, it was the perfect demonstration that print creativity can do a lot for print media itself, for print journalism,” explained Print and Publishing Jury President Olivier Altmann, co-founder, CEO and CCO of Altmann & Pacreau, France.
“We thought it was really bold to award a Grand Prix to a white piece of paper that people could fill. It’s almost an interactive tool for real life. At a moment when politicians around the world are not doing their job properly for people, it was a great example for how ideas can change the world for good,” Altmann added on the unanimous jury decision.
This year's Gold Winners are: David Miami, USA, Try Not To Hear This x 3 – Coke KTCHKK, Coke PTSSHHHH & Coke FZZZZZZZ for Coca-Cola, adam&eve DDB UK, Lovers, Don’t Spread The Hate x 3 – Honey, Butter & Marmalade for Unilever’s Marmite, Lola MullenLowe Madrid, Spain, Clowns x 3, Birthday 1, 4 & 5 for Burger King, VMLY&R x 3 – Earthquake, Tsunami & Hurricane – for Amnistía Internacional, McCann Paris, France, The Non-Issue, for L’Oréal Paris Age Perfect and FCB Chicago, USA, The Gun Violence History Book, for Illinois Council Against Handgun Violence.
“Made from newspaper articles, facts, and data to showcase a tragic and deadly history that repeats itself. This book has done what history has been unable to do. Stop a bullet" notes Illinois Council Against Handgun Violence on the awarded publication in partnership with FCB Chicago. “The Gun Violence History Book” outlined in 19 chapters and 853 pages, is the 228 years of gun violence history in America.
The articles, facts, and data within are intended to be a tool to teach current and future voters how we can stop repeating history. Additionally, the book has formed part of a learning plan for teachers and schools in Chicago-land.
Where the bullet finally stopped, is a message for readers, “This bullet stopped. But history continues to be written. Support universal background checks at www.stopgunviolencehistory.com.” The site helps connect people with their senator and then sends an automated email urging for universal background checks. The nonprofit is also encouraging communities to support Fix the FOID Act [HB 96] – a new legislation with the goal of addressing loopholes in our existing gun licensing system – by encouraging lawmakers to support.
Organized and run by a small group of type fans the Typographics festival is a must-attend celebration of all things type in New York City. The Typographics design festival, now in its 5th year, is a multi-part event series focused on contemporary typography and where its future may lie. A forum for presentations about graphic design, web design, publication design, book design, type design, packaging, branding, corporate identity, advertising, motion graphics, and more Typographics focuses on new frontiers in digital typography and beyond.
The international line-up of speakers includes emerging and established designers, attracting a vital and intelligent community of attendees. In the week before and the week after the main conference,Type@Cooper offers workshops and tours, open to the public, to educate and entertain participants.
The TypeLab at Typographics 2019 will host a series of hands-on workshops, demos, interviews, and experiments, June 13–16. Keeping with its alternative roots, the TypeLab is a space for informal events to complement the main schedule of the Typographics conference – like a multi-day typographic hackathon.
In this year's workshops attendees can learn the magic of movable type in a 4-day crash course with Todd Goldstein or use their senses to develop a visual system for their own highly personal line of ice cream in Branding with Type with writer, curator, educator, designer and Senior Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in New York City, Ellen Lupton.
“Create a menu of visual elements and apply them to a unique product family. Use typography, color, and graphic elements to express sensory delight and explore personal culinary themes (heritage, nostalgia, health, futurism, feminism—you name it). Use this one-day workshop to spark your creativity, find new inspiration, and create a chill portfolio piece. Participants receive copies of Ellen Lupton’s latest books from Cooper Hewitt, Smithsonian Design Museum, Design Is Storytelling and The Senses: Design Beyond Vision” notes Typographics 2019.
This year’s Typographics will feature the fourth Typographics Book Fair, June 15–16, with items for sale from some of our favorite booksellers. There will be a wide diversity of material available relating to typography, lettering, design, etc, with everything from rare antiquarian type specimens to contemporary titles on modern graphic design.
From Draw Down Books, a designer-run publishing platform based in New England, producing small and unique books with a focus on graphic design and typography through Printed Matter / St Marks, the world’s leading non-profit organization dedicated to the dissemination, understanding, and appreciation of artists’ books and related publications to Letterform Archive's table to snag rare foundry ephemera deaccessioned from one of the best type specimen collections in the world or The Herb Lubalin Study Center of Design & Typography, one of the co-organizers of the Typographics festival, which will be selling some of these items as well as some duplicates of type specimens and other books from their collection of 20th-century graphic design this is a Book Fair not to be missed.
"If information, has to be communicated in space, can we follow the current rules of type design to communicate our idea or information about our products?" wonders Juneza Niyazi. To answer the many questions Niyazi collaborated with Ksenya Samarskaya to explore type design in space.
"The guidelines used by typography designers today are based on the spacing between characters, kerning, height and width of the letters. But when the same information has to be placed in space, the above guidelines may not suffice to help the user read the information. Perspective plays a major role when designing for space. The other attributes that play a key role are — occlusion, height in the visual field, relative size, relative density, aerial perspective, binocular disparities, accommodation, convergence, and motion perspective. So let’s say in a few years, the most popular medium we use to communicate to our consumers is Mixed or VirtualReality, like the movie Her where a video or product launch will occur in space; can we still use existing typography to communicate information? How will type exist in the third dimension along with light and time?"
The answers to the questions are featured in Typography in VR, a study and compilation methodology which you can read in full here.
Offering a brand new look at two innovative graphic design books from the past Designers & Books kicks off its latest collaboration with Peter Kraus’s Ursus Books & Gallery in New York.
The collaboration launches with a look at two publications from the past: Ladislav Sutnar’s Package Design: The Force of Visual Selling, issued in 1953, and F. T. Marinetti’s Les Mots en Liberté Futuristes, published 100 years ago, in 1919.
Although separated by a generation, Ladislav Sutnar (1897–1976), known as the father of modern information design, and F. T. Marinetti (1876–1944), the founder of the modern art movement known as Futurism, were both multidisciplinary innovators who experimented with typography and advertisingdesign in ways that remain remarkably fresh today.
Sutnar's classic work on advertising. Sutnar, a native of Czechoslovakia, became one of the twentieth century's most influential designers. In America, he produced three beautifully designed and highly influential books: Design for Point of Sale (1952), Package Design (1953), and Visual Design in Action(1961).
Explosive to say the least, F. T. Marinetti's Les mots en liberté futuristes (Futurist Words in Freedom), published in 1919 "defied traditional rules of structure and punctuation and heralded a revolution in modern visual communication. This pocket-sized portfolio is a mini-anthology of the writing and typographic experiments of Italian poet and theorist Filippo Tommaso Marinetti (1876-1944)... Les mots en liberté futuristes, both written and designed by Marinetti, represents a high point of futurist typographic experimentation and showcases his genius as a designer and visual poet. It was a pioneering example of what is known as visual or concrete poetry, in which avant-garde artists have harnessed typography and page layout for expressive purposes" notes Cooper Hewitt's Stephen Van Dyk.